{"id":27617,"date":"2025-01-06T11:15:57","date_gmt":"2025-01-06T19:15:57","guid":{"rendered":"https:\/\/presskitchen.com\/?p=27617"},"modified":"2026-01-28T09:50:09","modified_gmt":"2026-01-28T09:50:09","slug":"sammi-cohen-a-few-of-my-favourite-things-with-jamie-madge-via-shots","status":"publish","type":"post","link":"https:\/\/demo.techsystintel.com\/press_kitchen_dev\/sammi-cohen-a-few-of-my-favourite-things-with-jamie-madge-via-shots\/","title":{"rendered":"Sammi Cohen: A Few of My Favourite Things with Jamie Madge via Shots"},"content":{"rendered":"

Caviar<\/a>\u00a0commercials director\u00a0Sammi Cohen<\/a>, helmer of the terrific Netflix movie\u00a0You\u2019re So Not Invited To My Bat Mitzvah<\/em>, talks through the filmmaking trinkets and furry essentials that helps them get creatively charged.<\/p>\n

\"\"<\/p>\n

I’m constantly relocating as a filmmaker, but everywhere I go, I like to create a workspace that feels like home. A creative workspace for me is alive. It\u2019s a living, breathing, constantly evolving mood board that inspires my creative process and reflects who I am. When I travel for work I tend to model work spaces after my home office. No matter where I am, there are certain things that I like to keep with me that are reminders of where I come from, where I\u2019m going, and what I\u2019ll always carry with me.<\/p>\n

\"\"<\/p>\n

The Viewfinder<\/strong><\/p>\n

There are objects that I\u2019ve carried with me from childhood into adulthood that feel like little fortune-telling totems. Cherished tchotchkes that I loved for reasons I didn\u2019t understand at the time but now see so clearly. Items that made me view the world differently.<\/p>\n

When it comes to my first viewfinder, I mean that quite literally.<\/p>\n

My first viewfinder is one of my most prized possessions. It once sat on top of an old camera that belonged to my grandfather. Now it sits on top of my desk. My grandfather passed away before I was born so I never got to know him personally but I did get to know him through some of the things he left behind. One of those things was an old vintage camera. There was this little viewfinder that snapped onto the top of the camera. The camera didn’t work anymore but the viewfinder required nothing more than my eyes and imagination.<\/p>\n

I took the viewfinder and kept it with me. I was fascinated by it. It was the first time I remember looking through any kind of \u201clens\u201d. The basic function of a viewfinder empowers you, putting you in the driver’s seat. It was exciting to have this new ability to focus solely on the parts of the world that I wanted to focus on. It sparked a kind of curiosity in me that lit a creative fire.<\/p>\n

In a practical sense, the viewfinder taught me about lenses and aspect ratios. It taught me the power of framing, how you can get lost inside an image, and how the rest of the world falls away when you\u2019re focused on telling a story.<\/p>\n

More importantly, it allowed me to start seeing the world in a brand-new way. It also allowed me to feel less overwhelmed by a world that I wanted to explore, focusing on one thing at a time. When you\u2019re looking through a lens, your entire world becomes that one image. In that way, everything outside of the frame feels less overwhelming. I think looking through that viewfinder also made me connect to the world in a deeper way. It inspired my love for filmmaking, for curating a series of moving images in a way that feels emotional. On a technical level, my viewfinder taught me what a close up looks like.<\/p>\n

On a deeper level, it taught me what a close-up feels like. As a kid, it felt like magic. As an adult, I keep my viewfinder with me as a reminder of the magic.<\/p>\n

Today, this viewfinder isn\u2019t a practical item; it\u2019s a relic from the past.\u00a0A toy. A reminder of who little Sammi was and what excited them.<\/p>\n

I believe that as kids we are innately more hopeful, raw, emotional, curious. Keeping myself connected to that younger part of me keeps me from losing the things that I believe make me a better storyteller. It\u2019s also a reminder to keep having fun and always stay curious.<\/p>\n

\"\"<\/p>\n

The Splicer<\/strong><\/p>\n

I was lucky enough to edit my first few films in college\u00a0using this 16mm film splicer. I didn\u2019t know it at the time, but my class would be the last to use the film equipment at my school.<\/p>\n

When I graduated, the film program ushered in a new era of digital filmmaking and got rid of all of the old film equipment. That\u2019s how I ended up with the splicer.<\/p>\n

It doesn\u2019t serve any practical purpose these days, I just love looking over and seeing it on my bookshelf.<\/p>\n

It reminds me of my first love: editing.<\/p>\n

I would never have fallen so deeply in love with directing if I hadn\u2019t loved editing first. It informs every part of my creative process. Editing feels like a secret weapon, it\u2019s like x-ray vision for directors. They say that in hindsight everything is 20-20. Once you have all of the pieces you can see what you didn\u2019t need\u2026 what you need more of…<\/p>\n

As a director, when you start to think like an editor, your hindsight becomes foresight.<\/p>\n

After college it wasn\u2019t my degree I put on display in my office, it was my 16mm film splicer. It\u2019s a piece of my own personal history that fits into the larger picture of film history. It reminds me I\u2019m a small part of something much bigger. It reminds me to never stop thinking like an editor.<\/p>\n

And, simply put, it just makes me happy.<\/p>\n

\"\"<\/p>\n

The Pens and Notebooks<\/strong><\/p>\n

\n
\n
\n
\n

Writing with a pen you love in a notebook you love is like wearing the perfect pair of jeans: it feels great, your sense of style immediately improves, and you\u2019re inspired to buy as many as possible in case they stop making them.<\/p>\n

That\u2019s why I have a drawer full of Le Pens and a shelf full of Gallimard notebooks.<\/p>\n

I carry at least one with me at all times.<\/p>\n

As much as I rely on computers and technology as a part of my creative process, nothing beats a pen and paper. In a world full of technology, things feel easily erased, forgotten, and lost amidst an intangible cloud.<\/p>\n

There\u2019s something I like about the permanence of writing – the physical storage of notebooks. There\u2019s more intention to it. It\u2019s nostalgic and timeless at the same time. Pen and paper will never go out of style. They will always be accessible. They are reliable and self-sufficient. They also force you to slow down.<\/p>\n

While I can appreciate the speed and ease of a computer, I like that writing with a pen and paper is a more gradual process. When I slow down, I find that I connect more to the words I\u2019m writing. It allows me to be present. Something is grounding about the tactile nature of it. It feels more intentional, more focused, and, in some ways, much more freeing.<\/p>\n

When I\u2019m working, pen-in-hand, I tend to ebb and flow between writing and sketching doodles, camera diagrams, and designs.<\/p>\n

Paper feels more like a blank canvas to express and explore an idea in all of its forms.<\/p>\n<\/div>\n<\/div>\n

\n
\n
\"\"<\/div>\n
<\/div>\n
The Headphones<\/strong><\/div>\n
<\/div>\n
Music is something that moves and inspires so many people. I am no exception to that rule.<\/div>\n
\n

As a kid, I learned to play the drums. I grew up with a jukebox machine in my kitchen. Music is such a big part of who I am.<\/p>\n

There is rhythm in everything I do. Listening to music feels like breathing to me. It\u2019s something I need to do to stay alive (creatively speaking).<\/p>\n

For me, sound is energy. It conveys tone, elicits emotions, and drives creativity in a number of different ways. I listen to music to feel inspired, to calm down, to rev up, to tune in, to tune out. I use it as a way to connect with things I want to connect with and disconnect from things I want to disconnect with.<\/p>\n

Sometimes, I turn on music as a way of turning off the rest of the world so I can focus on my work.<\/p>\n

That\u2019s where my noise-cancelling headphones come into play. I bring them with me everywhere.<\/p>\n

They almost feel like a security blanket. Safe and in sound, wherever I go.<\/p>\n

\"\"<\/p>\n

The Dog<\/strong><\/p>\n

If you know me, you know I love my dog more than anything.<\/p>\n

His name is Scoops and I\u2019m always happier when he\u2019s around.<\/p>\n

When I\u2019m home writing, like I am now, Scoops is asleep on the sheepskin rug under my desk. When I\u2019m in post, he\u2019s in the bay, taunting me and my editor with tennis balls. When I\u2019m on set, he\u2019s as close as he can be. I\u2019ve made two films since Scoops has been in my life, and he has travelled with me as my companion to make both of those films.<\/p>\n

Having Scoops around increases my serotonin, decreases my stress, and forces me to take breaks from work, which actually helps me with the work. I always say that dogs are my favourite kind of people.<\/p>\n

And Scoops is my favourite kind of dog.<\/p>\n

With him by my side I\u2019m not just holding onto a 65 pound dog, I\u2019m holding on to a piece of home.<\/p>\n

View the full piece HERE<\/a>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Caviar\u00a0commercials director\u00a0Sammi Cohen, helmer of the terrific Netflix movie\u00a0You\u2019re So Not Invited To My Bat Mitzvah, talks through the filmmaking trinkets and furry essentials that helps them get creatively charged. I’m constantly relocating as a…<\/p>\n","protected":false},"author":2,"featured_media":27618,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[211,311],"tags":[249,267,297,975,1263],"class_list":["post-27617","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fresh-news","category-caviar","tag-advertising","tag-los-angeles","tag-production-2","tag-director","tag-directing"],"yoast_head":"\nSammi Cohen: A Few of My Favourite Things with Jamie Madge via Shots - Press Kitchen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/demo.techsystintel.com\/press_kitchen_dev\/sammi-cohen-a-few-of-my-favourite-things-with-jamie-madge-via-shots\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sammi Cohen: A Few of My Favourite Things with Jamie Madge via Shots - Press Kitchen\" \/>\n<meta property=\"og:description\" content=\"Caviar\u00a0commercials director\u00a0Sammi Cohen, helmer of the terrific Netflix movie\u00a0You\u2019re So Not Invited To My Bat Mitzvah, talks through the filmmaking trinkets and furry essentials that helps them get creatively charged. 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