{"id":27503,"date":"2024-11-21T08:29:29","date_gmt":"2024-11-21T16:29:29","guid":{"rendered":"https:\/\/presskitchen.com\/?p=27503"},"modified":"2026-01-28T09:50:09","modified_gmt":"2026-01-28T09:50:09","slug":"modern-post-editor-graham-patterson-details-process-on-camila-cabello-music-video-godspeed","status":"publish","type":"post","link":"https:\/\/demo.techsystintel.com\/press_kitchen_dev\/modern-post-editor-graham-patterson-details-process-on-camila-cabello-music-video-godspeed\/","title":{"rendered":"Modern Post editor Graham Patterson Details Process on Camila Cabello Music Video\u00a0&#8216;Godspeed&#8217;"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-full wp-image-27504 alignleft\" src=\"https:\/\/demo.techsystintel.com\/press_kitchen_dev\/wp-content\/uploads\/2024\/11\/Screenshot-2024-11-21-at-8.18.47%E2%80%AFAM.png\" alt=\"\" width=\"586\" height=\"270\" \/><\/p>\n<div class=\"block-thumb col-xs-12\">\n<div class=\"img_overlay_wrapper\">\n<div class=\"date\">\n<p><iframe title=\"Camila Cabello - GODSPEED (Official Music Video)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/gzdjYJKocKk?feature=oembed&#038;width=840&#038;height=1000&#038;discover=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span class=\"dateGray\">November 5, 2024<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"block-text col-xs-12\">\n<h1 class=\"title\">Music Video: Camila Cabello \u2014\u00a0<i>Godspeed<\/i><\/h1>\n<div class=\"body-text\">\n<div>Modern Post (<a href=\"https:\/\/modernpost.com\/\">https:\/\/modernpost.com<\/a>) editor Graham Patterson recently cut Camila Cabello&#8217;s new music video, &#8216;Godspeed&#8217;, which features the artist singing to the camera just off the shoreline, where she&#8217;s partially submerged.<\/div>\n<div><\/div>\n<div>Patterson cut the 3:45 video using Adobe Premiere and recalls the film shoot taking place on a Wednesday, with him receiving footage by Thursday evening.<\/div>\n<div>\n<div><\/div>\n<div>&#8220;My assistant, Robert Laird, immediately started syncing everything,&#8221; he explains, &#8220;and I needed to have a cut ready for the directors by Friday afternoon. They came in and we sent a cut to Camila that night. We did two more rounds on Saturday and Sunday, locking the cut by Sunday night.&#8221;<\/div>\n<div><\/div>\n<div>For much of the video, Camila is just head above water, but as the song progresses, quickly-cut flashbacks show her in a number of different settings.<\/div>\n<div><\/div>\n<div><\/div>\n<div><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.postmagazine.com\/images\/CamilaSquare580.jpg\" alt=\"\" width=\"580\" height=\"430\" \/><\/div>\n<div><\/div>\n<div>\n<div>&#8220;The first time I heard the song, I knew the music breaks were going to be really fun from an editing standpoint,&#8221; Patterson recalls. &#8220;On the first screening of the footage, I knew I wanted those percussive sections to match the intensity of the music. While I was pulling selects, I set up a separate sequence for Flash SLX, and any time something graphically intense or iconic caught my eye, I\u2019d pull it over. If you could capture a feeling of a shot in a couple frames and it demonstrated her beauty, or her intensity, or a flash of light, or a strong silhouette in the water, I\u2019d pull it over.&#8221;<\/div>\n<div><\/div>\n<div>The project marked 91 Rules&#8217; first time shooting on film, with Marcel Rev serving as DP.<\/div>\n<div><\/div>\n<div>&#8220;I was really glad they did,&#8221; says Patterson of using film as an acquisition medium. &#8220;With film, both the head and tail of the roll often have textures like splices or cue marks. On any in-camera cut or roll, you also get beautiful light leaks, where the film is getting up to speed or slowing down, so I grabbed a lot of those as well.&#8221;<\/div>\n<div><\/div>\n<div>The video&#8217;s long takes sort of lull the viewer into a place of tranquility.<\/div>\n<div><\/div>\n<div>&#8220;I wanted to use these flashes to smash up that tranquility with a sledgehammer,&#8221; he explains. &#8220;I had a couple of flash sequences ready for the first session and repeated them at each instance in the track. I told Eric and Cameron (91 Rules) that these were placeholders and that we\u2019d refine them based on their feedback and Camila\u2019s. After they left each session, I continued developing or building new flash sequences, so each day they\u2019d come back and find a new one or two as a surprise.&#8221;<\/div>\n<div><\/div>\n<div><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.postmagazine.com\/images\/2024\/CamilaB580.jpg\" alt=\"\" width=\"580\" height=\"326\" \/><\/div>\n<div><\/div>\n<div><\/div>\n<div>Patterson likens the process of building these sequences to that of creating a collage, where he\u2019s &#8220;sticking pieces here and there, moving things around, breaking them down and then putting them back together until it feels right.&#8221;<\/div>\n<div><\/div>\n<div>Flash sequences are some of his favorite segments to build, and he offers a few tips for budding editors: use light changes, scale changes and even rotate a clip 180 degrees.<\/div>\n<div><\/div>\n<div>&#8220;These elements help build a good flash sequence technically, but it also needs to say something,&#8221; he explains. &#8220;For this edit, they\u2019re a symbol of the turbulence and chaos of love, and the mess of a broken relationship. I wanted to make sure the viewer felt that. Sometimes Camila looks stunning. Sometimes she looks a mess. Sometimes she\u2019s calmly drowning. Sometimes she\u2019s smashing the shit out of a piano with a sledgehammer. Together, it all amounts to the feeling of a relationship, where you have so much love, but it\u2019s just not working.&#8221;<\/div>\n<div><\/div>\n<div>He also had fun with an Easter Egg. Fans who watch closely will see a reveal of her dark hair in the first flashback, but only get a good look much later in the video.<\/div>\n<div><\/div>\n<div>Read the full POST Magazine article <a href=\"https:\/\/www.postmagazine.com\/Press-Center\/Daily-News\/2024\/Music-Video-Camila-Cabello-i-Godspeed-I-.aspx\">HERE<\/a>.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>November 5, 2024 Music Video: Camila Cabello \u2014\u00a0Godspeed Modern Post (https:\/\/modernpost.com) editor Graham Patterson recently cut Camila Cabello&#8217;s new music video, &#8216;Godspeed&#8217;, which features the artist singing to the camera just off the shoreline, where&#8230;<\/p>\n","protected":false},"author":2,"featured_media":27505,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[211,294],"tags":[471,1955,3572,4534,4535,4536,210,249,253,263,274,290,292,293],"class_list":["post-27503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fresh-news","category-modern-post","tag-music-video","tag-editor","tag-camila-cabello","tag-editing-house","tag-godspeed-video","tag-graham-patterson","tag-creative","tag-advertising","tag-branded-content","tag-creativity","tag-post-production-2","tag-editing","tag-film","tag-modern-post"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Modern Post editor Graham Patterson Details Process on Camila Cabello Music Video\u00a0&#039;Godspeed&#039; - Press Kitchen<\/title>\n<meta name=\"robots\" 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