With a keen eye for storytelling, Aitor Bigas is an esteemed editor renowned for his rhythmic and stylised work that seamlessly integrates music and sound. With an impressive portfolio featuring top brands such as Gucci, Loewe, Louis Vuitton, Acne Studios, and Calvin Klein – as well as music videos for artists like Bad Bunny, Arca, Bj\u00f6rk, and Rosal\u00eda -Aitor\u2019s unique and dynamic craft has garnered accolades include Shots Awards and D&AD Pencils, among others.<\/i><\/p>\n
A Barcelona native and Barcelona Cinema School alum, Aitor found his niche cutting experimental music videos with friends before, seamlessly transitioning into the fashion space. Beyond his film expertise, Aitor’s multifaceted pursuits include drumming, contributing to his ability to punctuate visuals with syncopated music and sound design. A true student of the world, he explores European photography, art, and music, reflecting his diverse artistic passions. Most recently, he released his fifth photography book through his own publishing house, PROGRESSO.<\/i><\/p>\nLBB> The ad\/music video from my childhood that stays with me\u2026<\/b><\/h3>\n
Joy Division: \u201cAtmosphere\u201d<\/a>\u00a0(Directed by Anton Corbijn) (1988).<\/p>\n Atmosphere is the music video of one of my favourite Joy Division songs, which has been with me for many years and which I have never stopped loving.<\/p>\n Fugazi: \u201cInstrument\u201d<\/a>\u00a0(Directed by Jem Cohen) (1999)<\/p>\n This is a great documentary. \u201cInstrument\u201d was one of the first films that made me think about the importance of creative film editing.<\/p>\n \u201cArrebato\u201d<\/a>\u00a0(Directed by Ivan Zulueta) (1979)<\/p>\n Regarded as an instant cult classic by the film community, \u201cArrebato\u201d is a masterpiece of Spanish experimental cinema. I highly recommend every film buff give this a watch.<\/p>\n Beach Beach: \u201cWhite Clothes\u201d<\/a>\u00a0(Directed by Alba Yruela & Rafa Castells) (2014)<\/p>\n I can’t recall what my first \u201cofficial\u201d professional project was, but I do remember the importance of editing the music video for Beach Beach’s \u201cWhite Clothes,\u201d directed by my two friends and talented artists, Alba Yruela and Rafa Castells.<\/p>\n In some way, that video marked my entry into the professional editing world. It helped me realise what is now one of my greatest passions.<\/p>\nLBB> The ad\/music video\/game\/web platform that made me want to get into the industry\u2026<\/b><\/h3>\n
LBB> The creative work that I keep revisiting\u2026<\/b><\/h3>\n
LBB> My first professional project\u2026<\/b><\/h3>\n
LBB> The piece of work that still makes me jealous\u2026<\/b><\/h3>\n