here<\/a>.<\/p>\nLeading the roster of shortlist-nominated companies is the ad agency Anomaly and Yessian Music, both of which scored five shortlisted entries. Anomaly was shortlisted twice in two different categories: In Best Artist + Brand Collaboration, it was shortlisted for its Crown Royal \u201cDave Grohl \/ Donna Grantis \u2018O Canada\u2019\u201d spot and for its \u201cBottle Beats\u201d spot for Johnnie Walker, while \u201cBottle Beats\u201d and \u201cFabric of Life,\u201d also for Johnnie Walker, were shortlisted in the category of Outstanding Mix. Its fifth shortlist entry, again for \u201cFabric of Life,\u201d came in the David & Jan Horowitz Award for Best Original Score category.<\/p>\n
Yessian earned three shortlisted entries for its \u201cJazz Bath\u201d project for State Farm, in the categories of Most Innovative Process & Execution, Best Use of Music in New Media Marketing and Excellence in Audio Only Marketing. It was also shortlisted for its \u201cDYC \u2018Sweet Child O\u2019 Mine\u2019\u201d entry for the Detroit Youth Choir in the Outstanding Adaptation\/Arrangement category and for \u201cGoogle Play \u2018Diablo Immortal\u2019\u201d in the Best Sound Design Category.<\/p>\n
Other companies scoring multiple shortlisted entries were Antfood, Human and Townhouse, which each notched three entries on the shortlist, and 72andSunny, Deutsch LA, Found Objects Music Productions, Mophonics, Music and Strategy (MAS), Sonic Lens Agency and Squeak E. Clean Studios, which each earned two shortlisted spots.<\/p>\n
Also represented on the AMP Awards Shortlist were entries from ABKCO Music + Records, BUTTER Music + Sound, Droga5, Duotone Audio Group, Groove Guild, Heavy Duty Projects, Howling Music, Marc Algranti Music, Made Music Studio, Nettwerk Music Group, Q Department, Quiet City Music + Sound, Radish Music, TBWA\\Media Arts Lab and Zync \/ Round Hill Music.<\/p>\n
The AMP Awards finalists across all 13 categories were reviewed late last month by the competition\u2019s Curatorial Committee, who determined whether each finalist met their respective categories’ judging criteria before voting on the Best in Show winner. Participating in the discussions, in addition to Anomaly\u2019s Leanne Amann, were Beliansh Assefa, Music Producer, Townhouse; Dan Burt, Associate Director Music Production\/Supervision, Wunderman Thompson NY; Mary Crosse, Independent Executive Producer; Keith D\u2019Arcy, SVP, Sync & Creative Services, Warner Chappell Music; Ben Dorenfeld, Director of Music, Anomaly; Damien Escobar, SVP, Director of Music and Culture, Arnold; Paul Greco, Executive Director of Music & Audio, Wunderman Thompson NY; Carolyn Hill, Executive Content Agent, Carolyn Reps; Julie Hurwitz, President, Global Synch and Creative Operations, Hipgnosis Song Management; Jamie Jou, Director of Music, BA Licensing, McCann NY; Mike Ladman, Music Supervisor, Droga5; Patrick Oliver, Music Supervisor, Pretty Good Songs; Brandy Ricker, Independent Music Supervisor; Jessica Shaw, SVP, Sync Licensing, Sony Music Entertainment; Stephen Stallings, Executive Music Producer, Dentsu Creative; and Nick von Zumwalt, Sr. Music Supervisor, Movers+Shakers.<\/p>\n
Tickets for the 2023 AMP Awards will be on sale soon. Price is $195 for non-AMP members, $175 for AMP members. The event takes place on Monday, May 22 at Sony Hall, 235 W 46 Street, with the doors opening at 6:45 pm and the presentation kicking off at 8 pm. Dubbed \u2018the loudest show in the industry,\u2019 the presentation will also feature live music performances and extensive cocktail party chatter to tunes being spun by Hang the DJ.<\/p>\n
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